I see my visual practice through the lens of meditation— it is an opportunity to explore the inner weather of my mind and body. Through drawing and painting, I investigate the relationship between movement and stillness as a form of self-discovery, using intuitive decision-making and embodied processes to create an ongoing dialogue between my internal states and the materials I work with.
My work often reflects a balance between stillness and motion, expressed through fluid mark-making, meandering lines, and textured fields of color. My practice is less about achieving a finished product and more about honoring the present moment—welcoming spontaneity, uncertainty, and play. Working intuitively with materials like ink, salt, sand, and fragments of found collage, I invite the unknown to be an active participant in my process. This call-and-response way of working becomes a portal into the subconscious, revealing glimpses of the mind and body’s visual language.
My imagery often draws from natural textures, trail-like paths, and closed-eye visual renderings, capturing the fleeting moments between clarity and disorientation. These works aren’t an escape from reality, but a deep engagement with it—embracing vulnerability and ambiguity as tools for transformation.
Ultimately, my creative practice is a way to work with unsettled energy, to decipher and reframe internal landscapes, and to slow the pace of thought in a world that prioritizes production. It’s a reminder that meaning lives in process and presence.
